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Contents. History Contemporary R&B originated at the end of the disco era, in the late-1970s, when and added more electronics elements to the sound of the time to create a smoother dancefloor-friendly sound. The first result was (1979), which—according to from —'was a visionary album, that found a way to break disco wide open into a new world where the beat was undeniable, but not the primary focus' and 'was part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk'. Ripani wrote that Janet Jackson's (1986) was 'important to the development of R&B for a number of reasons', as she and her producers, 'crafted a new sound that fuses the rhythmic elements of funk and disco, along with heavy doses of synthesizers, percussion, sound effects, and a rap music sensibility.' Ripani wrote that 'the success of Control led to the incorporation of stylistic traits of rap over the next few years, and Janet Jackson was to continue to be one of the leaders in that development.'
That same year, began producing R&B recordings that included hip hop influences. This combination of R&B style and hip hop rhythms was termed and was applied to artists such as,. Was listed in 2010 by the most successful R&B artist of the past 25 years. He is also referred to as the. In contrast to the works of, and similar artists, other R&B artists and groups from this same period began adding even more of a hip-hop sound to their work, like the innovative group. The synthesizer-heavy rhythm tracks of new jack swing were replaced by grittier -inspired backing tracks, resulting in a genre labeled by and producer who also had mentored group in the beginning and helped them with their unique look. The style became less popular by the end of the 1990s, but later experienced a resurgence.
In 1990, released as her debut single. It was immensely popular peaking at number 1 in many worldwide charts including the, and it propelled Mariah's career. The song is usually said to have popularized the use of and brought it in to mainstream R&B. During the mid-1990s, Whitney Houston's sold over 40 million copies worldwide becoming the best-selling soundtrack of all time. 's self-titled fifth studio album (1993), which came after her historic multimillion-dollar contract with, sold over twenty million copies worldwide.
Boyz II Men and Mariah Carey recorded several No. 1 hits, including ', a collaboration between both acts, which became the longest-running No. 1 hit in Hot 100 history. Carey also released a remix of her 1995 single ', with as a feature, a collaboration format that was unheard of at this point. Carey, Boyz II Men and TLC released albums in 1994 and 1995—,. In the late 1990s, which added 1970s soul influences to the hip hop soul blend, arose, led by artists such as,. Hill and further blurred the line between R&B and hip hop by recording both styles.
Beginning in 1995, the enacted the, with by becoming the first recipient. The award was later received by for in 1996, for Words in 1997, for in 1998 and for in 1999. At the end of 1999, Billboard magazine ranked Mariah Carey and Janet Jackson as the first and second most successful artists of the 1990s. Simultaneously, in the second half of the 1990s, and set influential precedence on contemporary R&B and hip hop music. R&B acts such as, and are some of the.
Ranked fifth on Billboard Artist of the Decade list. 6 on the Billboard Hot 100 songs of the decade. In 2001, released ' as her debut single.
It peaking at number one on the, and charts. It won three in 2002, including,. It was also nominated for. 's solo studio debut album (2003) has sold over 5 million copies in the United States and earned five. 's (2004) sold 1.1 million copies in its first week and over 8 million copies in 2004, since then it has been certified by the (RIAA) and, as of 2016, has sold over 10 million copies in the US and over 20 million copies worldwide. Confessions had four consecutive Billboard Hot 100 number one singles—', ', ' and '. Contemporary artist from upper left:, and have experimented with.
Continuing from the 1990s and early 2000s, R&B, like many other genres, drew influences from the technical innovations of the time and began to incorporate more electronic and machine-made sounds and instruments. The use of effects such as and new computerized synths have given R&B a more futuristic feel while still attempting to incorporate many of the genre's common themes such as love and relationships. The evolutions of the genre's production and instrumentation have spurred the successes of performers such as,. 'These days almost all r&b goes for voice-plus-sound rather than voice-plus-song, with the sound ranging from precision track-and-hook to idiosyncratic atmospherics.' —Christgau, 2017 Early 2010s artists such as Kelly Rowland, Ne-Yo, Usher, and Chris Brown began embracing new electronic influences while still keeping R&B's original feel.
Kelly Rowland's ', Usher's ', ', ' and ', Chris Brown's ', ' and ' are all EDM-oriented. As this electronic element continues to grow apparent throughout the genre, contemporary artists like are gaining popularity outside of R&B and continue to collaborate with non-R&B artists. Singers, and Chris Brown are popular in mainstream hip hop for many collaborations with rappers such as,. Today's R&B is far more diverse and incorporates more sonic elements than before, as it expands its appeal and commercial viability. 's influence maintained a strong presence on the music charts with R&B singer 's songs ', ' and ', 's debut studio album, and 's '.
See also. References. Archived from on March 15, 2012. Kustom Beats. ^ Frere-Jones, Sasha (April 3, 2006). Archived from on April 20, 2006.
Jarret, Michael (October 6, 1998). 'Whitney Houston Syndrome'. Sound Tracks: A Musical ABC.
February 4, 2003. Retrieved November 2, 2014. Archived from on March 24, 2010. November 12, 2008. Ward, David (November 2011). Circulation Mag.
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Retrieved August 27, 2015. Erlewine, Stephen Thomas. Retrieved August 27, 2015. ^ Ripani, Richard J. The New Blue Music: Changes in Rhythm & Blues, 1950–1999. Pp. 130–155, 186–188. Concepcion, Mariel (November 18, 2010).
Retrieved December 15, 2014. 28 December 1998 – 4 January 1999. Gipson, Brooklyne (January 26, 2012). Retrieved November 2, 2014. Goldberg, Michael (May 2, 1991).
'The Jacksons score big'. Rolling Stone.
Bickelhaupt, Susan; Dezell, Maureen (January 13, 1996). 'Room with a private view'.
Mayfield, Geoff (December 25, 1999). 'Totally '90s: Diary of a decade'.
Frere-Jones, Sasha (October 6, 2008). Archived from on October 1, 2008. (September 30, 2003). Retrieved October 15, 2014. December 22, 2009. Retrieved June 27, 2016.
^ Molanphy, Chris (July 16, 2012). Archived from on July 20, 2012. Retrieved July 16, 2012. December 11, 2009. Retrieved October 1, 2016.
December 2, 2009. Retrieved October 1, 2016. Caulfield, Keith (December 30, 2015).
Retrieved October 1, 2016. Leopold, Todd (February 9, 2004). (Press release). Retrieved October 1, 2016. Susman, Gary (March 31, 2004).
Retrieved October 1, 2016. November 4, 2004. Retrieved October 1, 2016. Hope, Clover (November 27, 2012). Retrieved October 2, 2016. All Media Network. Retrieved October 2, 2016.
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All Media Network. Retrieved October 2, 2016. All Media Network. Retrieved October 2, 2016. All Media Network. Retrieved October 2, 2016.
All Media Network. Retrieved October 2, 2016. Retrieved February 8, 2011. Christgau, Robert (March 3, 2017). Retrieved March 4, 2017. Androids (March 22, 2013).
Retrieved October 2, 2016. Shipley, Al (August 6, 2014). Retrieved October 2, 2016. Lamb, Bill. Retrieved October 2, 2016. April 26, 2012.
Retrieved October 2, 2016. Khal (July 25, 2013). Retrieved October 2, 2016. Wete, Brad (October 21, 2010). Entertainment Weekly. Retrieved October 2, 2016.
Garibaldi, Christina (January 26, 2012). Retrieved October 2, 2016.
July 2, 2012. Retrieved October 2, 2016. Bat (November 29, 2001). Archived from on November 2, 2014. Retrieved December 11, 2013.
Retrieved November 25, 2016. Further reading. (November 18, 1997).